Tuesday, December 16, 2008

Kṛṣṇa Yajvan on arthabhāvanā

Kṛṇa Yajvan, who was also more or less a contemporary of Āpadeva and Laugākṣi Bhāskara, writes in his Mīmāṃsāparibhāṣā:
bhāvanātvaṃ nāma bhavituḥ prayojakavyāpāratvam. tatrārthabhāvanāyāṃ bhavitur jāyamānasya svargādeḥ prayojakavyāpāratvāl lakṣaṇasaṅgatiḥ. śabdabhāvanāyām api puruṣapravṛttirūpasya bhavituḥ prayojakavyāpāratvāl lakṣaṇasaṅgatiḥ. 
Which, I believe, can be translated as follows:
The fact of being a bhāvanā consists in being the activity inducing (prayojaka) something which is [through that] about to be brought into existence. Among those [activities], the definition suites the “arthabhāvanā” insofar as this is an activity inducing heaven and so on, which is brought into existence, that is, born. The definition also suites the “śabdabhāvanā” insofar as this is an activity inducing something which is about to be brought into existence [and] which has the nature of a human activity (vyāpāra). 
So,
1) prayojakavyāpāra is here equated to bhāvanā (and not to X-bhāvanā), hence, one does not need to presuppose something like śabda-bhāvanā=prayojakavyāpāra.
2) the symmetry between the two holds on only insofar as the bhāvanā part is concerned. The first part of the compounds is not compared.
3) artha is possibly thought of as hinting at svarga.
Obviously enough, this regards only Kṛṇa Yajvan and not necessarily Kumārila. I have already collected different definitions by other Bhāṭṭas.


Monday, December 15, 2008

Paper manuscripts in South Asia

Birgit Kellner asks on the Indology list which are the oldest dated paper manuscripts in India and Nepal, mentioning for India a mns dated 1198 and for Nepal a mns dated 1105. Why did paper manuscripts remain comparatively rare until recent times, then? Was paper too expensive? Were trade-routes from China and Tibet not commonly used? After all, paper was well spread in China and Tibet since much older time.


Later Mīmāṃsakas on arthabhāvanā

I have already mentioned Bhaṭṭa Śaṅkara's interpretation of artha in arthabhāvanā as “puruṣa”. It is such a surprising interpretation, that I would like to know how he came to that. I never read it in any other author and Bhaṭṭa Śaṅkara does not explain in detail why it has to be like that. He rather presents it as if it were self-evident, a hint to the fact that it was an interpretation well-spread in his milieu? Or does the cursory reference refer to the minor importance of the etymological interpretation? In fact, other Mīmāṃsakas just do not bother in etymologically explain the meaning of arthabhāvanā (unlike they do with śabdabhāvanā). So Rāmānujācārya and Āpadeva, the author of Mīmāṃsānyāyaprakāśa. In his excellent translation of this work, Franklyn Edgerton uses “end-efficient-force” for arthabhāvanā, but he does not explain how he came to that translation.

Thursday, December 11, 2008

Another possible symmetry between śabdabhāvanā and arthabhāvanā

Kei Kataoka maintains that śabdabhāvanā and arthabhāvanā ought to be symmetrical. Hence, śabde bhāvanā=śabdabhāvanā. arthe bhāvanā=arthabhāvanā. Artha ity ukte kim? puruṣaḥ.
But I am not fully satisfied by this understanding of artha. Moreover, arthātmikā bhāvanā is hardly understandable as puruṣātmikā bhāvanā. On the other hand, the proposal that Kumārila just devised two symmetrical names not thinking of any symmetry between the two is also unsatisfying, especially in so far as Kumārila painstakingly tried to develop two parallel theories for the two bhāvanās, although he had obvious problems with the karaṇa and the bhāvya (which is not at all desirable) of the śabdabhāvanā. See, e.g. Rāmānujācārya's refutation in Tantrarahasya, IV, §3.7.2. 
So, what about the next proposal:
śabdabhāvanā= bhāvanā ca śabdaś ca, sā (karmadhāraya)
arthabhāvanā=bhāvanā ca artha ca, sā (karmadhāraya).
Artha ity ukte “prayojanaṃ, śabdārthaṃ ca”. Kasya arthaḥ? śabdabhāvanāyāḥ. śabdabhāvanāyāḥ arthaḥ puruṣavyāpāraḥ iti arthabhāvanā puruṣavyāpārabhāvanā iti yāvat. ata eva kumārilabhaṭṭena “arthātmikā bhāvanā” iti, “śabdātmikā bhāvanā” iti ca uktam. ācāryaḥ “arthātmikā” iti uccaraṇasamaye “puruṣavyāpārātmikā” iti manyate. “puruṣavyāpārātmikā” ca pārthasārathimiśrasya pustake, rāmānujācāryasyāpi punaḥ punar viditam.

Wednesday, November 26, 2008

A border line problem between philology and philosophy? What did Kumārila mean with “bhāvanā”?

A short terminological excursus: bhāvanā is a rather common name throughout Sanskrit philosophy (it designates, e.g., a peculiar meditation in Buddhism and in Kashmir Śivaism, a linguistic function in Bhāṭṭa Nāyaka's aesthetical theory, etc.). It is found in grammar.

Within Mīmāṃsā, it is found already in Śabara (see, e.g., his commentary ad MS 2.1.1) as indicating the activity of a person, designated by the verbal forms and directed to an object. In fact, such an activity is further specified by its requiring an object, an instrument and a procedure (respectively answering the question “what [does one do]?”, “through what?” and “how?”). In accordance to such an interpretation, Śabara paraphrases svargakāmo yajeta as yāgena svargaṃ bhavati. That is, an object/aim (according to the polysemy of the Sanskrit term artha, noticeably within Mīmāṃsā, see MS 1.1.5 et passim) is connected to the bhāvanā, the root of the verb is read as an instrument (yāgena), and the verbal action is designated by the conjugated verbal form alone (bhavati). Later on, Kumārila noticed that such an account does not make sense of the prescriptive character of, say, yajeta as opposed to yajati. Therefore, he introduced a further bhāvanā, called śabdabhāvanā. This one is peculiar to prescriptive forms (that is, liṅ, loṭ, leṭ, tavya, but also present indicative forms may do, if the semantic of the passage requires a prescriptive meaning) and it accounts for their faculty to make whoever listens to them feel compelled to perform the action indicated by the verbal root. It has still nothing to do with the actual performance of such action, it operates purely on a linguistic niveau and therefore Kumārila has named it “linguistic bhāvanā”. At that point, he had to qualify also the other bhāvanā, the one meant by Śabara. In opposition to śabdabhāvanā (or śābdībhāvanā), he called it arthabhāvanā (or ārthībhāvanā), that is “actual bhāvanā”, “objective bhāvanā”, or “purpose[-oriented] bhāvanā”. So, this latter designation is less precise than the first one and is mainly devised in opposition to the former. In fact, “bhāvanā” alone is commonly used to indicate the ārthībhāvanā.

More in detail, the PP in §3.16 seem to reinterpret ārthībhāvanā as puruṣārthabhāvanā, so “bhāvanā having a human end [as its bhāvya]”, “purpose-[oriented] bhāvanā”. But is this a reinterpretation or the initial meaning of arthabhāvanā? It would rather seem an innovation of R., who drives from a parallel VN passage, but emphasises the etymological understanding of arthabhāvanā (whereas the VN passage speaks of arthabhāvanā as puruṣārthasādhana). In fact, the innovation of Kumārila, who distinguished between śabda- and arthabhāvanā seems to presupose the opposition between śabda (as language) and artha (as its object). Nonetheless, I could not find a precise explanation of arthabhāvanā as meaning “the efficient force directed on an external object” or the like. Mīmāṃsābālaprakāśa, a late Bhāṭṭa primer, explains: arthayata ity arthaḥ phalakāmaḥ puruṣaḥ (MBP, II adhyāya; 74.15-16, quoted in Kataoka 2004:167, fn. 190), and Kei Kataoka also suggests (personal communication, 1 October 2008) that “Kumārila probably has in mind puruṣa as artha”. This means that when Rāmānujācārya explains arthabhāvanā as puruṣaprayatnas, tatpravṛttir (§3), bhāvanā is tantamount to prayatna or pravṛtti and arthabhāvanā means arthasya, puruṣasya, prayatna. The equation artha-puruṣa can be justified as follows:
1. MBP's statement, and Bhatta Śaṅkara's explanation that, when interpreting artha as person, the meaning “person” should be derived from the understanding of artha from the root arth-, X class, “to desire” (hence, “a person who desires” is an artha, since “a” is, among other meanings, a kṛt suffix indicating the agent, according to the list in Ā III and to Kāśikā on Ā III 4.67) and not from the root arth-, IV class, “to be an object” (arthyate). By the way, the latter seems to be an artificially conceived root, not attested in the Amarakośa, nor in the Śabdakalpadruma, nor in the Dhātupāṭha, nor in modern dictionaries such as PW and Monier William's.
2. The symmetry between śabdabhāvanā and arthabhāvanā. It is in fact hardly the case that Kumārila devised the two names without linking them to each other. Pārthasārathi Miśra proposes two interpretations of the compound śabdabhāvanā, as a karmadhāraya and as a tatpuruṣa respectively. If it is a karmadhāraya, however, it is hard to conceive a symmetric understanding of arthabhāvanā, which should mean “that efficient force which consists in an object/a purpose”. On the other hans, if śabdabhāvanā is tantamount to “an efficient force (bhāvanā) which has a statement as its locus of action” (as with Pārthasārathi Miśra's explanation of śabdabhāvanā as a tatpuruṣa, see below), arthabhāvanā would mean “an efficient force which has an artha as its locus of action”. Artha in this connection cannot be the final object brought about by the activity, but only the locus where this activity finds place, that is, a person.
3. The fact that arthabhāvanā and śabdabhāvanā are also called by Kumārila arthātmikā bhāvanā and śabdātmikā bhāvanā and those explanations need to be made sense of in a symmetric way.

On the other hand, the understanding of śabdabhāvanā is made easier by Pārthasārathimiśra's etymological explanation, see Kataoka 2004: 167-8, fn. 190: “ahidhāyāḩ śabdasya bhāvanā abhidhābhāvanā (NRM VN, 77.1) and “abhidhīyata iti abhidhā pravartanā”. Hence, śabdabhāvanā could be explained as a karmadhāraya or as a tatpuruṣa.

Friday, November 21, 2008

Sanskrit usages 2:artha

The Pūrvapakṣin in Rāmānujācārya's Tantrarahasya, chapter IV, §3.16, seems to reinterpret ārthībhāvanā as puruṣārthabhāvanā, so “bhāvanā having a human end [as its bhāvya]”, “purpose-[oriented] bhāvanā”. But is this a reinterpretation or the initial meaning of arthabhāvanā? It would indeed seem an innovation of R., who drives from a parallel Vidhinirṇaya (Pārthasārathimiśra's) passage, but emphasises the etymological understanding of arthabhāvanā (whereas the VN passage speaks of arthabhāvanā as puruṣārthasādhana). In fact, the innovation of Kumārila, who distinguished between śabda- and arthabhāvanā seems to presupose the opposition between śabda (as language) and artha (as its object). Nonetheless, I could not find a precise explanation of arthabhāvanā as meaning “the efficient force directed on an external object” or the like. Mīmāṃsābālaprakāśa, a late Bhāṭṭa primer, explains: arthayata ity arthaḥ phalakāmaḥ puruṣaḥ (MBP, II adhyāya; 74.15-16, quoted in Kataoka 2004:167, fn. 190), and Kei Kataoka also suggests (personal communication, 1 October 2008) that “Kumārila probably has in mind puruṣa as artha”. Does this mean that the object of the arthabhāvanā is a person's [activity]? Should, hence, arthabhāvanā be interpreted as artham bhāvayati –arthaś ca puruṣavyāparaḥ iti bhāvaḥ? Or rather, bhāvanā means vyāpāra and arthabhāvanā means arthasya, puruṣasya, vyāpāraḥ (with the puruṣasya as the agent)? This latter solution goes, I fear, too far. But how else could puruṣa be the artha?

Sanskrit usages: ācārya

Rāmāṇujācārya is a Prābhākara Mīmāṃsaka who has also commented in a Bhāṭṭa garb a Bhāṭṭa work, Pārthasārathimiśra's Nyāyaratnamālā. In Rāmānujācārya's works, Kumārila is constantly referred to as “ācārya” (see TR IV, §3, §3.17, §9.4.1, NR ad AN, III, 28, p. 253). And also Pārthasārathi Miśra uses the same appellation (1937: 75).
Is “ācārya” a self-understood way to refer to Kumārila? Is it common in Buddhist sources, too? Elsewehere, ācārya seems to be used in order to refer to a teacher of a rival school (against guru). So possibly in Madhyamaka literature, see D.S. Ruegg 1981: 58, fn. 171 (where svayūthya is opposed to ācārya).
By the way, R. does not call himself “ācārya”, this appellation is used among Sanskritists chiefly in order to distinguish him from the best known Śrī Rāmāṇuja.
Licenza Creative Commons
Quest' opera è distribuita con licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 2.5 Italia.